by Keri van Douwen and Tanja Aalberts Slot Loevestein, a medieval fortress and castle in the center of the…
Courts in a Time of Crisis: The Nightingale Courts of England and Wales
In 2020 the Nightingale Courts of England and Wales came into being as a response to the Covid-19 pandemic. This…
Changing Fabrics: working with artists in analyzing world events
EWIS Amsterdam, 12-14 July 2023 Image: Court drawing by Machteld Aardse Workshop convenors: Tasniem Anwar, Sofia Stolk, Renske Vos For…
Collaging and Frottage as Legal Methodology
Image: Stolk/Vos Sag der Welt dass kein Krieg mehr ist, 2022mixed paper materials, 50 x 70 cm The Joy of Methodology: A…
International Legal Sightseeing as a Phenomenon and a Methodology
LawArt Rivista di Diritto, Arte, Storia (2022: 3) by Sofia Stolk and Renske Vos Abstract: Legal sightseeing denotes the ‘eventisation’ of…
Botanic Gardens as International Law’s Institutional Architecture
by Jessie Hohmann Botanic gardens do not immediately appear as architecture. They are more commonly seen as landscape, or at…
The People’s Parliament of Rojava: Architecture as a Transformative Power
by Bart van Klink Image: Bart van KlinkRojava Parliament, Eindhoven New World Summit is an artistic and political organisation, founded…
Frozen in liminality, prestige infrastructure abandoned before completion in Amman, Jordan
Image: Frozen in liminality, prestige infrastructure abandoned before completion in Amman, Jordan. by Dorien Keizer Dorien Keizer is a PhD…
Psychiatric Architectures and Institutional Aesthetics: The Materio-Legislative Entanglement of Outsider Art
by Lucy Finchett-Maddock Image: Nico Wikkerman Huisje, Boompje, Beestje, 2007 Acrylic on canvas, 40 x 40 cmPhoto: Renske Vos Outsider…
Mesh, CJEU Luxembourg
by Renske Vos “If the law were a colour” [it would be gold]. (…) “Why gold? ‘Because this is not…